It was meant to force me to simplify, but mostly I just reacted to a timer by rushing through. Having a timer while drawing also had the opposite effect it was meant to have. I realize that in my previous life drawing lessons, I thought that I was supposed to copy the volume of a pose and nothing more. Click to enlarge the image.Ĭopying a pose is not gesture. Be sure to check out slot games uk to have great time with the new high quality slot games. This montage collects most of the sketches I did starting with the oldest ones at the top and the newest ones at the bottom. Having observed the first lesson in Proko’s curriculum, I’m certain now that the stiffness of my figures is mainly a result of not understanding the importance of gesture.Īs Proko suggested, I did 100+ sketches until I felt like I understood the difference between copying what I see and capturing the energy and flow of a pose (aka. The muscles were all generally in the correct place, but my figures were stiff and lacking expressiveness. I’m fairly well practiced drawing the human figure, but the people in my paintings were lacking something. I’ve realized even after taking several life drawing classes in college that my art was missing something. The first lesson covers the topic of gesture drawing, a topic which most artists usually dismiss as quick, simple practice drawings. In the meantime, enjoy a look at the gesture sketches I’ve been doing for Stan Prokopenko’s Figure Drawing Fundamentals course over the past few months! (If you missed my first impression post about this course, read on here to get an overview of what the class is about!) I’m taking a small break from my book club posts for Artist As Brand to share something different instead, as the next part of the AAB blog series involves some intense homework that’s taking me longer than usual.
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